

analog at heart
Keep me fully glad with nothing. Only take my hand in your hand.
In the gloom of the deepening night take up my heart and play with it as you list. Bind me close to you with nothing.
I will spread myself out at your feet and lie still. Under this clouded sky I will meet silence with silence. I will become one with the night clasping the earth in my breast.
Make my life glad with nothing.
In the field is a houseof wood. A window of the housecontains the field.You can't see farwith a sun in the sky,with a living-room lampat night. Locality is allyou light, and you, as singleas a bed. But there'sno end to dark. The bed is in the clearingand the clearing's in the wind; the worldis a world among others. Now your cell-stars split.
I turn to my Rand McNally Atlas.Europe appears right after the Map of the World.All of Italy can be seen page 9.Half of Chile page 29.I take out my ruler.In global perspective Italyamounts to less than half an inch.Chile measures more than an inch and a quarterof an inch.ApproximatelyChile is as long as Chinais wide:Back to the Atlas:Chunk of China page 17.All of France page 5: As we say in New York:Who do France and Italy knowat Rand McNally?

And now, each night I count the stars.
And each night I get the same number.
And when they will not come to be counted,
I count the holes they leave.
Nobody sings anymore.
Preface to a Twenty Volume Suicide Note Amiri Baraka
...Exhaustion is a last line of defensewhere time either stops dead or kills you.It teaches you to see what your eyes seewithout questions, without the politicsof living in one city, dying in another.How badly I would like to sleep nowin the shadows beside real things or besidethings that were real once, like the beaded gownon the television, like the debutof a song in New York in black and whitewhen my parents were there. I feel sometimesmy life was used up before I was born.
...
The Northeast Corridor, Donald Revell
All night the sound had
come back again,
and again falls
this quiet, persistent rain.
What am I to myself
that must be remembered,
insisted upon
so often? Is it
that never the ease,
even the hardness,
of rain falling
will have for me
something other than this,
something not so insistent—
am I to be locked in this
final uneasiness.
Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out
of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.
The Rain, Robert Creely
The Sun woke me this morning loudand clear, saying “Hey! I've beentrying to wake you up for fifteenminutes. Don’t be so rude, you areonly the second poet I’ve ever chosento speak to personallyso whyaren’t you more attentive? If I couldburn you through the window I wouldto wake you up. I can't hang aroundhere all day.”“Sorry, Sun, I stayedup late last night talking to Hal.”“When I woke up Mayakovsky he wasa lot more prompt” the Sun saidpetulantly. “Most people are upalready waiting to see if I’m goingto put in an appearance.”
Frank O'Hara
A True Account of Talking to the Sun at Fire Island
You say you want to feel
the words.
You just want to live in Boston
with the painter Martha McCollough.
Sure, I can imagine the thought
of an easel, the idea
of thick paint.
But I want you to explain it simply, clinically.
Because now that I've thought about it, what
doesn't begin with love and death and end
in lonliness?
Returning Birds
This is not a dirge-- no, it's only indignation.
An angel made of earthbound protein,
a living kite with glands straight from the Song of Songs,
singular in air, without number in the hand,
its tissues tied into a common knot
of place and time, as in an Aristotelian drama
unfolding to the wings' applause,
falls down and lies beside a stone,
which in its own archaic, simpleminded way
sees life as a chain of failed attempts.
We were in the Safeway parking lot. I couldn’t find my cigarettes.
You said Hurry up! but I was worried there would be a holdup
and we would be stuck in a hostage situation, hiding behind
the frozen meats, with nothing to smoke for hours.
You said Don’t be silly,
so I followed you into the store.
We were thumping the melons when I heard somebody say Nobody move!
I leaned over and whispered in your ear I told you so.
it's not like a tree where the roots have to end somewhere,
it's more like a song on a policeman's radio,
how we rolled up the carpet so we could dance, and the days
were bright red, and everytime we kissed there was another apple
to slice into pieces.
An article at Poetry Foundation .org, When Yellow Ribbons and Flag Waving Aren't Enough, is as nonpolitical as you can get when speaking of war these days, but it has a strength that makes politics sounds silly in the end. An ex soldier's take on recent war poetry, eloquent and worth the read.
We find out the heart only by dismantling what
the heart knows. By redefining the morning,
we find a morning that comes just after darkness.
We can break through a marriage into a marriage.
By insisting on love we spoil it, get beyond
affection and wade mouth-deep into love.
We must unlearn the constellations to see the stars.
But going back toward childhood will not help.
...
Love is not enough. We die and are put in the earth forever.
We should insist while there is still time. We must
eat through the wilderness of her sweet body already
in our bed to reach the body within that body.
the numbers
...I want to close my eyes and find a quiet field in fog, a few sheep moving towards a
fence.
I want to count them, I want them to end. I don't want to wonder
how many people are sitting in restaurants about to close down,
which of them will wander the sidewalks all night
while the pies revolve in the refrigerated dark.
An all-night barbeque. A dance on the courthouse lawn.
The radio aches a little tune that tells the story of what the night
is thinking. It's thinking of love.
It's thinking of stabbing us to death
and leaving our bodies in a dumpster.
That's a nice touch, stains in the night, whiskey and kisses for everyone.
the numbers
How many nights have I lain here like this, feverish with plans,
with fears, with the last sentence someone spoke, still trying to finish
finish
a conversation already over? How many nights were wasted
in not sleeping,how many in sleep-- I don't know
how many hungers there are, how much radiance or salt, how many times
the world breaks apart, disintegrates to nothing and starts up again
in the course of an ordinary hour. I don't know how God can bear
seeing everything at once: the falling bodies, the monuments and the
burnings,
the lovers pacing the floors of how many locked hearts.
...
Love is apart from all things.
Desire and excitement are nothing beside it.
It is not the body that finds love.
What leads us there is the body.
What is not love provokes it.
What is not love quenches it.
Love lays hold of everything we know.
The passions which are called love
also change everything to a newness
at first. Passion is clearly the path
but it does not bring us to love.
It opens the castle of our spirit
so that we might find the love which is
a mystery hidden there.
Love is one of many great fires.
Passion is a fire made of many woods,
each of which give off its special odor
so we can know the many kinds
that are not love. Passion is the paper
and the twigs that kindle the flames
but cannot sustain them. Desire perishes
because it tries to be love.
Love is eaten away by appetite.
Love does not last, but it is different
from the passions that do not last.
Love lasts by not lasting.
Isiah said each man walks in his own fire
for his sins. Love allows us to walk
in the sweet music of our particular heart.
We're shooting the scene where I swallow your heart and you make me
spit it up again. I swallow your heart and it crawls
right out of my mouth.
You swallow my heart and flee, but I want it back now, baby. I want it back.
Lying on the sofa with my eyes closed, I didn't want to see it this way,
everything eating everything in the end.
can this please be my wedding ring? ohh it's gorgeous, and she's got these really great sculptural rings on her site too- she calls them 'moving cage rings'. simply fantastic...
" When people look at my pictures I want them to feel the way they do when they want to read a line of poem twice. "
Robert Frank