the Bob stopped by for some pie and wine after the fam dinner,
and of course i couldn't resist hammin for the cam!

and of course i couldn't resist hammin for the cam!
analog at heart
Keep me fully glad with nothing. Only take my hand in your hand.
In the gloom of the deepening night take up my heart and play with it as you list. Bind me close to you with nothing.
I will spread myself out at your feet and lie still. Under this clouded sky I will meet silence with silence. I will become one with the night clasping the earth in my breast.
Make my life glad with nothing.
In the field is a houseof wood. A window of the housecontains the field.You can't see farwith a sun in the sky,with a living-room lampat night. Locality is allyou light, and you, as singleas a bed. But there'sno end to dark. The bed is in the clearingand the clearing's in the wind; the worldis a world among others. Now your cell-stars split.
I turn to my Rand McNally Atlas.Europe appears right after the Map of the World.All of Italy can be seen page 9.Half of Chile page 29.I take out my ruler.In global perspective Italyamounts to less than half an inch.Chile measures more than an inch and a quarterof an inch.ApproximatelyChile is as long as Chinais wide:Back to the Atlas:Chunk of China page 17.All of France page 5: As we say in New York:Who do France and Italy knowat Rand McNally?
And now, each night I count the stars.
And each night I get the same number.
And when they will not come to be counted,
I count the holes they leave.
Nobody sings anymore.
Preface to a Twenty Volume Suicide Note Amiri Baraka
...Exhaustion is a last line of defensewhere time either stops dead or kills you.It teaches you to see what your eyes seewithout questions, without the politicsof living in one city, dying in another.How badly I would like to sleep nowin the shadows beside real things or besidethings that were real once, like the beaded gownon the television, like the debutof a song in New York in black and whitewhen my parents were there. I feel sometimesmy life was used up before I was born.
...
The Northeast Corridor, Donald Revell
All night the sound had
come back again,
and again falls
this quiet, persistent rain.
What am I to myself
that must be remembered,
insisted upon
so often? Is it
that never the ease,
even the hardness,
of rain falling
will have for me
something other than this,
something not so insistent—
am I to be locked in this
final uneasiness.
Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out
of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.
The Rain, Robert Creely
The Sun woke me this morning loudand clear, saying “Hey! I've beentrying to wake you up for fifteenminutes. Don’t be so rude, you areonly the second poet I’ve ever chosento speak to personallyso whyaren’t you more attentive? If I couldburn you through the window I wouldto wake you up. I can't hang aroundhere all day.”“Sorry, Sun, I stayedup late last night talking to Hal.”“When I woke up Mayakovsky he wasa lot more prompt” the Sun saidpetulantly. “Most people are upalready waiting to see if I’m goingto put in an appearance.”
Frank O'Hara
A True Account of Talking to the Sun at Fire Island
You say you want to feel
the words.
You just want to live in Boston
with the painter Martha McCollough.
Sure, I can imagine the thought
of an easel, the idea
of thick paint.
But I want you to explain it simply, clinically.
Because now that I've thought about it, what
doesn't begin with love and death and end
in lonliness?
" When people look at my pictures I want them to feel the way they do when they want to read a line of poem twice. "
Robert Frank